JACK ELLISTER – The Man With The Biochopper / Citadel (Review by TimeLord Michalis)

JACK ELLISTER – The Man With The Biochopper / Citadel

2012 (7” Fruits de Mer Records / Regal Crabomophone)

www.fruitsdemerrecords.com

Sometimes you hear a track and instantly think, I’ve got to find a way to release it! That was the way I felt when I first heard Jack’s ‘The Man With The Biochopper’, classic psychedelia, but very much of the 21st century. It has everything – wild lyrics (the best use of the phrase “rubber air-pump” I’ve heard in a long time), a girl chorus, a track that builds to a massive, manic crescendo AND a false ending – all in just over 3 ½ minutes – what more can you ask for in a 7” single? How about a great, guitar-driven version of a track from The Stones’ much-maligned ‘Satanic Majesties’ album for the b-side?”… 
Having read Keith’s (Fruits De Mer) quote I was really curious to listen to it. Who wouldn’t be? What is this? British Modern Psych by a Dutch man? Who is this guy? A Bio-Chopper? Well, I was pleasantly surprised by both sides! “The Man With The Biochopper” starts like a false rotated Morricone’s spaghetti western theme with Jack’s whispering vocals and slowly it moves into a psych vein with female vocals, even more stoned male vocals, a killer wondrous guitar solo and an almost explosive ending! Jack’s interpretation on Citadel is almost 1 minute longer,  not moving away from the original and it’s hard to believe that this is a 2012 version! You get a feeling of a Rolling Stones' alternative version (taken straight from ‘Majesties’ outtakes) with different singer! And that’s an achievement! Well done, Jack! TimeLord Michalis

Sorry No Youtube video yet!!! 

Scheduled for release August 13th 2012

Colour Vinyl 7"

Limited to 800 copies

Two colour vinyl versions

(No CDs or Downloads)

Fruits de Mer Records' Regal Crabomophone label

(catalogue no. wingle 6)

Pre order your copy here:

Fruits de Mer Records

or:

Clear Spot

or:

Heyday Mailorder

       

SENDELICA - The Satori in Elegance of the Majestic Stonegazer (Review by TimeLordMichalis)

SENDELICA - The Satori in Elegance of the Majestic Stonegazer

2012 (CD FRG Records)

www.sendelica.bandcamp.com

Sendelica’s new album is A JOURNEY TO THE CENTRE OF THE MIND! This Psychedelic-Prog-Space-Stoner-Ambient-Dub-Dark Folk-Experimental band from Cardigan, West Wales, UK just keeps on surprising us, awesomely Good! Along with the Usual Suspects - Pete Bingham (Guitar, Electronics), Glenda Pescado (Bass), Paul Fields (Drums) – there are few guests on the studio to help Sendelica to fulfil their vision. Colin Consterdine (Keyboards, Programming), Lee Relfe (Sax), Virginia Tate (Flute, Guitar), Roger Morgan (Keyboards), Iain Hawk Khan (Monster Electric Fusion Sitar), Oli Davidson Howell (Drums). Their new album is a prog-space jam experiment that is divided into 8 tracks. The opening track “Magical Ninin” is a long instrumental jam, guitar driven and quite heavy with pinches of pure early 70s acid sound, a progressive stoner number! “Aetheraland” it’s an ethereal atmospheric track with peaceful female vocals and a great use of flute, relax your Mind and your Soul will follow. Next follows the “Satori” tetralogy. Through the 4 parts, the band is searching for ‘enlightenment’ in Buddha’s front yard. Part I is a moody relaxing cosmic piece with occasional sax sound and a few ‘mockingbirds’ around the studio. Part II is heavier, it seems that somebody put the plug back in! Loads of feedback through a steady rhythm and an awesome swirling guitar sound. Part III is a 15min ambient-like spacey atmospheric jam, the rhythm is built upon a gentle bass sound, the whole number reminds one of Pink Floyd circa “Animals”. Part IV follows the same motive as Part I, the only difference is that this time hummingbirds are in the studio. Next comes “Preseli Daze”, another long improvisational adventurous space jam. Seems somebody opened the bottle of acid and spread it all over the place. Experimentally flavoured Sax sounds once again. I’ve been Dazed… but NOT Confused! Album closes with “The Majestic Stonegazer” and the title describes it best. An acid, lysergic stoned-gazer! It’s still June, but this is One of the Best Albums of 2012! Come along if you dare! Take a ride to the land inside your mind! TimeLord Michalis

Take a ride:

Get it here:

Enjoy the artwork...
 

 

CRANIUM PIE & THE RESEARCH STATION – A Visit To Newport Hospital (Review by TimeLord Michalis)

CRANIUM PIE & THE RESEARCH STATION – A Visit To Newport Hospital

2012 (7” Fruits de Mer Records)

www.craniumpie.co.uk

Two things. Either they’ve been kidnapped by Aliens who did different kinds of experiments on them, or they must have spent some time in Psychiatric Insane Asylums… There’s no other ‘logical’ explanation. Either the one or the other! When it finally comes to music it works out so tremendously genius and psychedelicious and experimentally amazing! Modern prog at its best! There’s a whole factory of sounds inside their minds… This time, their ‘victims’ are two Underground songs from the Glorious past. On the A side the band modifies “A Visit to Newport Hospital” originally released by Egg in their 1970 album “Polite Force”. They create a spacey & adventurous atmosphere with weird sounds, effected vocals, guitars, keyboards, without moving too far from the original. In the meantime on the B side they execute Hillage and Stewart Arzachel’s “Queen St Gang” taken from their sole album “Arzachel” in 1969 (originally by Keith Mansfield as “Soul Thing”). The band gets more spacey, more weird, driving us to unknown prog-psych paths. A psychedelically ingenious mentally insane progressive experiment!!! Impatiently waiting for the follow-up to “Mechanisms”…  TimeLord Michalis

Taste the Hospital Side here:

Taste the Queen Side here:

and the originals:

YOU SHOULD TRY PIE'S STATION HERE:

THE LUCID DREAM – Hits Me Like I’m Stoned (Review by TimeLord Michalis)

THE LUCID DREAM – Hits Me Like I’m Stoned

2012 (7” Fruits de Mer)

www.soundcloud.com/the_lucid_dream

Formed in 2008 in Carlisle, Cumbria, North West England, they count 2 sold-out EPs and 2 7” singles. Fruits de Mer releases their new single… Lysergic! Acid! Fresh! Mind Blowing! This is how I can describe the music by this bunch of Brit youngsters. The title of the A Side can easily describe their sound. A sound that hits you like… Yes, Stoned! Like any Lucid Dream in which one is aware that one is dreaming, The music here lets you be hallucinated without even being Stoned! Realistic and Vivid! You can control the state of trance you’ve been transported to! “Hits Me Like I’m Stoned” is a 6:39 min epic psych reverberated acidically drenched song in high voltage hallucinated landscapes. So simple... 

This psychedelic amalgam of Hallucinogenic sounds continues on B side, in which they wonderfully interpret Factory’s 1969 “Try A Little Sunshine”. Waiting for their next movement with pretty much anticipation. A must… TimeLord Michalis

A side here:

Excerpt of B side here:

Try One of the Below, if you're feeling lucky...

Fruits de Mer Records

Clear Spot 

Heyday Mailorder 

THE PRETTY THINGS – Honey, I Need/I Can Never Say (Review by TimeLord Michalis)

THE PRETTY THINGS – Honey, I Need/I Can Never Say

2012 (7” Fruits de Mer)

www.fruitsdemerrecords.com 

Well, if I’m not mistaken this is the newest Pretty Things release since 2007’s “All Light Up”. I'll bet that Keith and Andy are really proud about this Fruits de Mer release as they quote things like “… quite possibly the UK's finest ever R&B/psych band with a new release that shows they're still bloody brilliant live 40-odd years on!”. This one is just not another PT single, for the simple reason that it perfectly combines the ‘then’ and ‘now’ Pretty Things. “Honey, I Need” (A side) originally released as a single in Feb 1965 on Fontana. Here, is a new live version taken from their 2010 gig at the 100 club, which approves Keith and Andy’s quote (sic). B side of the original single was “I Can Never Say”. The version included here is an unreleased demo version of a recently found 1965 acetate! Artefact! Now that our appetite is whetted, there is more! Scheduled for release (via FdM Records of course) is a 4 track EP comprising 3 live versions from “S.F. Sorrow” and an unreleased track from the 60s… Get the Picture? TimeLord Michalis

Here's an excerpt:

... and another one:

You CAN'T Get it from here (SOLD OUT) {but you can find ALL the info you can get!} 

Try it here: 

or maybe here: 

THE MAGNETIC MIND – Maybe The Stars, Maybe The Sun/Laser Fingers (Review by TimeLord Michalis)

THE MAGNETIC MIND – Maybe The Stars, Maybe The Sun/Laser Fingers

2012 (7” Heavy Soul Records)

www.soundcloud.com/themagneticmind

“Wow! What a Magnificent and absolute Powerful Psychedelic-Pop-Inspired-60s this Record is!!!”… That’s how I should end this review, filling my free space with as many stars as I’m allowed and adding 2 words; BUY IT! So, what's this all about? A Debut single on UK Indie label Heavy Soul by this quintet formed just a few months ago (early 2011). London based and fuelled with energy, excitement and charisma. The aesthetics of the artwork refers to the Psychedelic 60s. The same goes with the music too. It’s a psyche-west coast fuzz-sunny pebblelike-garagey nuggetlike-Grace/Mariska vocals-Jefferson harmonies sound with a Modern touch! It surely needs a lot of ability to combine all these and have an excellent result! I want a full album asap! Worth mentioning the production of Liam Watson (White Stripes/Tame Impala) at the Toe Rag Studios. Insuperable! TimeLord Michalis

Taste it: 

 Grab it here:

DEAN ALLEN FOYD – The Sounds Can Be So Cruel (Review by TimeLord Michalis)

DEAN ALLEN FOYD – The Sounds Can Be So Cruel

2012 (LP/CD Crusher Records)

Dean Allen Foyd was/is an imaginary Bluesman trying his best to redefine 20^th century Blues… His name gave birth to a bunch of Scandinavian (Stockholm) youngsters and his visionary music haunted those freaksters, leading them to a remarkable result entitled “The Sounds Can Be So Cruel”, which by the way is their debut album, recorded back in February 2010 at Fashionpolice Studio Stockholm and finally released through Crusher Records March 2012. So, this psychedelic Swedish trio (Francis Rencoret – vocals & guitar, Fredrik Cronsten – bass and Wille Alin – drums) releases one of the Best Debut albums of the last 10 or so years! But they will not have made it without the precious help of the holy triad Syd Barrett, Arthur Lee and Captain Beefheart. 9 original compositions that combine a variety of styles from psych and garage to blues and prog, emitting such freshness while the final result is a cool old-fashioned modern sound! Album takes off with “Please Pleaze Me”. God, I haven’t heard those 2 little words sounding so perfect together since January ’63! The swirled drumming makes a dramatic opening with a scary & electric atmosphere, really psychedelic, imagine Group 1850’s “Mother No-Head” played by Floyd at Pompeii while the Sky was burning! “Lovely Sort Of Death” is a psych-rock anthem taken straight from The Wheels of Cream. “She’s So Blue” is a dreamy wondrous blues rocker with great guitar playing while sounds from flutes make it more relaxing. Slide guitar and organ piano are blending into “Revelation Blues”, a red-hot bluesy number. “Queen Machine” comes next… Just imagine members of Hawkwind and Zeppelin jamming together under the sounds of “Misirlou” and you’ll get the picture! The last 50 secs of the song, there’s a ‘blues” voice explaining the Blues, the Male The Female… Pretty Strange… Next is “Steady Rolling Man”. Hawkwind left the stage, and Zep remained there all alone to present a heavy rocker, a 2:26 real dynamite. Band keeps on speeding with “Into The Pearly Gates” and I’m sure that at the other side of the Pearly Gates, Rory is waiting for them. Too bad that while the guitar comes to fire towards the end, the song is fading out. “The New Dawn” with its trippy San Francisco guitar sound and the progressive molecules could easily stand as a highlight from the “Almost Famous” soundtrack. I can’t think for a better closing of this album than “Witches”. Ideal… Imagine a heavy rock ballad by the Grateful Zeppelin while on vocals is a stoned Curtis Mayfield. What a combination! So, Yes! The Sounds can be so Cruel. But sometimes, Cruel can be so fucking Awesome! A killer album! TimeLord Michalis

Band Info and How to Grab it: 

THE LUCK OF EDEN HALL – Butterfly Revolutions Vol.2 (Review by TimeLord Michalis)

THE LUCK OF EDEN HALL – Butterfly Revolutions Vol.2

2011 (CD self release)

I can’t think of any US band playing the psychedelic pop 60s with such freshness and inspiration as Gregory Curvey and his band does. Just before the year (2011) of the Butterfly expired, the band from Chicago kept its promise and released the follow-up to Butterfly Revolutions, the promising Vol.2. The recipe remains quite the same, but without becoming boring either for just a second from the 41:08 of the album. Gregory (mastermind of LOEH) has the ability/privilege to create beautiful pop-psych tunes through a procedure that he calls it ‘Popped Psychedelic Rock and Rollism’ (sic!). So, what we have here are 12 songs full of 60s influences (from the Beatles and the Byrds to Stones and Love) filtered with today’s sound. A mix of melodic, dreamy psychedelically catchy tunes that sometimes becoming a little more heavier or rock-oriented, all dressed with nice vocals, interesting effects under a great musicianship. Album starts in a real smooth way with the lyrical & dreamy “Metropolis” but continues in a more speedy way with the more 70s-less 60s heavy rocker “Complicated Mind”. “Caroline” and “North Hampton Woods” are sweet psych-ballads that bring to mind the mellower moments of their homies (and good friends too) Smashing Pumpkins. It’s because of songs like “The Ottoman Girl” that make them the ideal band to open with “SF Sorrow is Born” the Fruits de Mer Tribute Compilation “Sorrow’s Children”. One of the best moments of the album follows, the late-Beatlesque “Henrietta Lacks A Smile” with a great use of piano and strings. “Flowers” and “Whither Fare Thou Be” are the rockier tunes here with a touch of psych of course. “Revolutions” acts like a soft & slow organic interlude, while “Realization Loop” increases the volume to high levels. “We Are Not Self Control” has a dreamy relaxing melody and album closes with my personal highlight, the psychedelically flavoured “A Drop In The Ocean”. Butterfly has spoken. Follow her Oracle! TimeLord Michalis

Band Info: 

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Have a Tasteful Preview:

 

BABY WOODROSE – Third Eye Surgery (Review by TimeLord Michalis)

BABY WOODROSE – Third Eye Surgery

2012 (LP/CD Bad Afro Records)

Danish psychedelic garagers Baby Woodrose release their 6^th studio on April 16^th.  This time Lorenzo -mastermind and driving force behind the band- flirts more than any previous time with the heavy psych and the space prog scenery, dominated by a fierce desire to experiment! “Third Eye Surgery” has been recorded in the Black Tornado studio in Copenhagen, engineered by Anders ‘Evil Jebus’ Onsberg and produced by Lorenzo. The artwork is made by German artist Kiryk Drewinski (also did “Mindblowing Seeds and Disconnected Flowers”). Most of the tracks are more than 5 min long, so there’s no questioning why there are only 9 songs in the contents. Let’s start.  Album takes off with Down To The Bottom”, a typical garagy & fuzzy BW song. “Waiting For The War” has real strong lyrics and a futuristic minimal draggy and drummy atmosphere. Next one is a duet with Danish singer Emma Acs. “Dandelion” (released as 2^nd single) is a fine psych-pop 2:31 ballad with a west-coast late 60s Rickenbacker intro guitar sound and inspired dialogues like “If I was a Jesus Freak...” or “If I was a Woodrose Seed…”. “It’s Just A Ride” starts with a Seeds haunted Farfisa Up-In-Her-Room sound and becomes a druggy mind blowing psychedelic anthem! “Bullshit Detector” is coming straight from 1971’s In Search Of Space, a very psych & spaced-out track, with loads of heavy guitars and endless feedback! The sitar on “Nothing Is Real” (chosen as the 1^st single) gives an Eastern feeling while Psychedelia reaches High Levels. The High Psychedelic Levels continue with “Love Like A Flower” while sitar and fuzz are melting in a perfect way. “Third Eye Surgery” is a heavy space-rock dynamite with spacey lyrics too. Last but not least is “Honalee”, a beautiful trippy ambient psych ballad. Experiment dressed in success. Surgery succeeded, Third Eye functions (works) again, and Lorenzo must be proud for having released one of the best albums in 2012! Invest… TimeLord Michalis

Info & How to Buy: http://badafro.dk/ 

1st Single: "Nothing is Real"

 2nd Single: "Dandelion" 

 

THE TREMOLO BEER GUT – Under The Covers With… (Review by TimeLord Michalis)

THE TREMOLO BEER GUT – Under The Covers With…

 2011 (LP/CD Crunchy Frog Recordings)

 I believe no further recommendation is needed about these Danish dudes, that back in 1998 the query “Why aren’t there any surf bands in Denmark?” led them to form the band. Maybe you’ll think that the band’s name is a dangerous and quite explosive combination. You’re damn right and just wait till you listen to their high voltage old school surf & western style of music! 3 words ‘Tremolo’, ‘Beer’ and ‘Gut’ that are completely interwoven with 3 other words, ‘Instro’, ‘Garage’, ‘Surf’. So, as the title explain, it’s a compilation of instrumental covers and according to the band, recorded in a tremoloramic variety of low fidelity audio formats for our sonic education and listening pleasure. All 17 cover versions were recorded between 1998 and 2011, 12 of them have already been released in various forms while 5 of them are brand new and unreleased till now. I’m sure you’ll be much excited listening The Tremolo Beer Gut giving some of their instrumental magic and 50s jungle-60s Spaghetti atmosphere covering a huge gamma, from Kraftwerk (Das Modell), Jon Spencer Blues Explosion (She Said), Depeche Mode (Useless) and Duane Eddy (Because They’re Young) to Beach Boys (Pet Sounds), Tom Waits (Midtown) and Sonic Youth (Death Valley ’69)! So, yes, who needs lyrics when music is served so tremolodically well! An instrumentally magical album… TimeLord Michalis

Band Info:www.thetremolobeergut.dk 

Grab it here: 

A small kind of Taste:

THE GOOD HAND – The Good Hand (Review by TimeLord Michalis)

THE GOOD HAND – The Good Hand

2011 (CD Self Released / LP Minstrel)

 When I first got this CD in my hands and after listening to it repeatedly, I was so blown away that I searched for the 4 magic numbers on the booklet. But, there’s no date! So, is this a 70s lost band? A late 60’s maybe? The results of my research gave me this release date: 24 September 2011! I searched deeper. The Good Hand are a power rock Dutch trio consisted of Dennis Edelenbosch (bass), Arjan Hoekstra (guitar/vocals) and Ingmar Regeling (drums). They started the band in 2010 with a vision to redefine the good old days of 70s rock n’ roll. Debut album including 9 songs, spreading out in 45min and 43 sec, with a great variety of influences and an even greater use of ‘other’ instruments, like bouzouki, tuba, piano, melodica, hitorgan, philicorda. Album starts with “Between Four Walls”, a catchy mid-tempo rocker with strong vocals and a few heavy riffs here and there. “The Ostrich” has a powerful rhythm section with a distinctive bass sound and nice vocals. “Ghost” is a Zepellinsque heavy rocker while “Drifting And Dreaming” is a nostalgic rock ballad with really catchy lyrics. Next comes my personal favourite, the highlight, the song that easily could make it to a Top 10 chart. “Remain”, powerful drumming, hot guitar solos and real strong vocals. “Wait wait wait” is another heavy rocker with consecutive speed-ups and speed-downs, it could set the whole stadium on fire! “Solitude” is a melancholic sing-a-long ballad with a great use of many of the aforementioned ‘other’ instruments. Back to basis with the next one. “On The Lips” is a heavy acid prog rocker! Album closes with the 7min long “Lost In Light” an epic moody melancholy ballad full of wind instruments and harrowing vocals. The Good Hand is going to keep us pretty occupied the next years, so… invest! TimeLord Michalis

Grab it here: 

Band Info: www.myspace.com/thegoodhand

View some of their Magic:

VARIOUS ARTISTS – Keep Off The Grass (review by TimeLord Michalis)

VARIOUS ARTISTS – Keep Off The Grass

2011 (LP Fruits De Mer Records FdM21)

 If you aren’t familiar with the releases of Fruits de Mer Records, and if you’re somehow new to this complicated psychedelic fuzz n’ flower “genre” then this 19-track double LP compilation is the perfect way to start digging the glorious underground psych past of the late 60s early 70s era. On the other hand if you happen to be a truly aficionado of the psych-past, then these ‘reinterpretations’ will make the admiration to these new bands become much stronger. What we have here, is a bunch of “revivers” hailing from the UK, USA, France, Spain and Finland, paying the dues to “classic” 60s Psychedelia by the likes of well-known names (Pink Floyd, The Byrds, Sky Saxon, Jefferson Airplane, Beatles, Traffic, Chocolate Watch Band, Amboy Dukes, Tomorrow, Thunderclap Newman) and also less-known names (The Godz, Skip Spence, John’s Children, Aquarian Age, Nazz, Gemini, Good Feeling’s, Marc Brierley). It’s really hard to pick favorites, but versions like Sendelica’s “Journey To The Center Of The Mind” or Permanent Clear Light’s “Cymbaline” or Sky Picnic’s “Revolution” could re-start the “carrier” of each one of these songs into the nowadays “bored” charts! The year is 2012, and we are experiencing a lack of color. This compilation, these versions, are so god damn colorful! So old but so new! So psychedelically fresh! Just play the vinyl records and try to smell the incense coming straight from the record’s grooves… This is the Best Compilation album of 2011, An Absolutely Fully Mind-Blowing Expanding Psychedelic Experience! Besides, the color vinyl, besides the amazing gatefold sleeve, besides the 19 lil’ pieces of modern-re-arranged-psychedelia, there’s another great surprise. Album comes with a wonderful packet of joss-sticks! Fruits de Mer’s special Blend designed to enhance your listening pleasure! So, after all, it wasn’t so hard to keep off the grass, right Sam? TimeLord Michalis

more info about FdM Recordrs here: 

THE BEVIS FROND – The Leaving Of London (review by TimeLord Michalis)

THE BEVIS FROND – The Leaving Of London

2011 (2LP/CD Woronzow)

www.bevisfrond.bandcamp.com

I believe that for all of us – non British – Walthamstow is better known not for “The Palace of Welcome” – a district of Northeast London, but for being the ‘home’ of The Bevis Frond. So, any news from Walthamstow is always Good News although now Nick has moved to Hastings in East Sussex on the coast. In this case the news is called “The Leaving of London” – the newest album of the band (20^th in the row under the Bevis Frond moniker starting from 1987’s “Miasma”). Nick Saloman – frontman and the Soul of the band – puts on his beloved singer/songwriter costume and gives an end to our 7 years anticipation (you can call it the 7 years Bevis Frond itch) and releases new material since 2004’s “Hit Squad”. “The Leaving of London” is a ‘full’ album (also released as Double LP) over 75 min, consisting of 18 new-original tunes. 18 well-structured songs with real strong harmonies, inspired powerful self-biographical lyrics and with a polished High-Quality production by Nick himself, recorded at Gold Dust Studio, Bromley during March 2011 (released on his own Woronzow label). All songs are by Nick, who also plays the guitar, a few keyboards, the Grand-Piano and Sings… Precious is the help of his partner Adrian Shaw (Crazy World of Arthur Brown, Hawkwind) on bass, guitarist Paul Simmons (The Alchemysts) and Dave Pearce on drums. What we have here is not a typical Bevis Frond album, but to speak more correctly this album is as typical as the masterpiece (my humble opinion) “Valedictory Songs” was, from 2000. A lot of people say that it’s really hard to pin down a favourite track from this album, but “Reanimation” makes me wonder how I miss Nick’s early 90s. “Speedboat”, “More To This Than That” and “You’ll Come” are rudely brilliant punkish. “The Leaving of London” is one of the best ballads ever written in the last 15 or so years. Same goes with the wondrous guitar-adventurer “Too Kind”. The whole bunch is a mix of plenty styles. Melodic songs, up and mid tempo, beautiful just-guitar-bass songs, even more beautiful solo-piano songs, songs that are carefully dressed with wah-wah or backward guitar sounds with a sense of melancholic nostalgia all over the record. And then there is this voice. Sometimes the combination of his singing and guitar playing brings to mind Paul Weller, Jeff Buckley, Tom Petty, even Cat Stevens (just listen to “The Divide and you’ll get the picture). Is it British Indie? Lo-Fi? Balladesque Pop-Rock? Is it old-fashioned guitar-pop? Call it, everything you like, you can even call it New Psych-Inspired-Pop. I just call it A Bloody Delicate Cool Bevis Frond Album! TimeLord Michalis

***This year's TimeMazine will have an interview with Nick***

Track List:

01 Johnny Kwango
02 Speedboat
03 An Old Vice
04 More to This than That
05 The Leaving of London
06 Hold the Fort
07 Why Have You Been Fighting Me
08 The Divide
09 Reanimation
10 Stupid Circle
11 Son of a Warm Gun
12 Barely Anthropoid
13 Testament
14 You’ll Come
15 Preservation Hill
16 Heavy Hand
17 Too Kind
18 True North

But it here: