Monday, March 31, 2014

Stay

Psyched...

it's coming!

Pre-Orders at:

mtimelord@gmail.com

Wednesday, January 8, 2014

Best Sounds I heard in 2013

By TimeLord Michalis

Albums

(***Note: 2 No. 1s and 14 No. 11s)

11. LUCK OF EDEN HALL, THE – Victoria Moon (Self Released)

11. MOVEMENTS, THE – Like Elephants 1 (Crusher Records)

11. PARIR MEETS ELECTRIC MOON – The Paper Moon Sessions (Sulatron Records)

11. TECHNICOLOR POETS – All That Is Solid (Kommun2)

11. NIGHT BEATS – Sonic Bloom (The Reverberation Appreciation Society)

11. ENTRANCE BAND, THE – Face The Sun (Beyond Beyond Is Beyond)

11. RIFF NICK – Escape Velocity (Riffdisc/Cosmic Eye Music)

11. SOFT HEARTED SCIENTISTS – Whatever Happened To The Soft Hearted Scientists (FdM Vol38 Fruits de Mer)

11. TELSTAR SOUND DRONE – Comedown (Bad Afro Records)

11. WOODEN SHJIPS – Back To Land (Thrill Jockey)

11. LAMP OF THE UNIVERSE – Transcendence (Clostridium Records)

11. COSMIC TRIP MACHINE – Golden Horus Name (Nasoni Records)

11. NO MAN’S LAND – Unprotected (Anazitisi Records)

11. GARDNER JACCO – Cabinet Of Curiosities (Trouble In Mind Records)

10. PERMANENT CLEAR LIGHT – Beyond These Things (Havasupai Records)

09. SPIDS NOGENHAT – Kommer Med Fred (Bad Afro Records)

08. SENDELICA – The Kaleidoscopic Kat And Its Autoscopic Ego (Vincebus Eruptum Records)

07. KRAUTZONE – Kosmische Rituale (Sulatron Records)

06. GIOBIA – Introducing Night Sound (Sulatron Records)

05. KIKAGAKU MOYO – S/T (Cosmic Eye/Sound Effect Records)

04. DEAD-END ALLEY BAND, THE – Whispers Of The Night (Nasoni Records)

03. ONE OF THESE DAYS & THEE HEAVY RANDOM TONE COLOUR LAB – A Peaceful Nacht In Hell (Self-Released)

02. ROSE WINDOWS – The Sun Dogs (Sub Pop Records)

01. ii. VIBRAVOID – Delirio Dei Sensi (Go Down Records)

01. i. PURPLE OVERDOSE - Gemineye (The last ever recordings) (Anazitisi Records)

Various/Re-Issues/EP’s/Singles

(***Note: except No.1, all others in alphabetical order)

DANTALIAN’S CHARIOT - Chariot Rising (LP Wah Wah)

DEAN ALLEN FOYD - Dean Allen Foyd EP (10” Crusher Records)

DREAM - Rebellion (LP Pseudonym)

ELECTRIC MOON – You Can See The Sound Of (EP 10” Sulatron Records)

GOAT - Live Ballrom Ritual (2LP Rocket)

LIVING ROOM - Acid Comes (LP World In Sound)

SPACE AGENCY - Bombay Potatoes/Purple Power (7” Market Square Records)

SULA BASSANA – Dreamer (10 Years Anniversary) (LP Sulatron Records)

VARIOUS ARTISTS – Re-Evolution FdM Sings The Hollies (LP Fruits de Mer)

VARIOUS ARTISTS – Shrunken Head Music (2x7” Fruits de Mer)

VARIOUS ARTISTS – The White EP (7” Fruits de Mer)

VESPERO – Careful With That Axe, Eugene (7” Fruits de Mer)

VIBRAVOID – Colour Your Mind EP (7” Fruits de Mer)

VIBRAVOID – Distortions Re-Mastered (2LP Stoned Karma)

01.SIMONES – 20^th Anniversary (4LP Box Set Headspin Records)

Enjoy:

Sunday, July 14, 2013

Guitar Icon Merrell Fankhauser

Revisits

Jimi Hendrix's

Legendary

'Rainbow Bridge'

In New Documentary

London, UK - 'Rainbow Bridge' was a peculiar 1972 film featuring Jimi Hendrix (who had died two years before) and a cast of local eccentrics using Hendrix’s music and a whole slew of UFO sightings to explore their spirituality. 41 years later, musician and filmmaker Merrell Fankhauser revisits the film to explore its message more fully. The 'Rainbow Bridge Revisited' documentary was really Maui journalist Steve Omar's idea, and Merrell and Steve produced it together. The two had fun looking up and interviewing the original cast of the 1972 Jimi Hendrix movie 'Rainbow Bridge' that was filmed on Maui. It was interesting to hear what they had to say about hanging out with Hendrix making the movie. The one-hour DVD documentary also features some great surfing and music by Merrell Fankhauser, The Space Patrol and Omar and The Wavespies. The package includes a 12-song soundtrack.

Merrell explains, “As you know I lived on Maui for 14 years and I moved there in ‘73 just a year after the Jimi Hendrix 'Rainbow Bridge' film came out. And when I moved there I met a lot of people that were in the movie, and a lot of them were hippies, surfers and cosmic people that were seeing UFOs, and they said Jimi was really into the whole UFO thing, and that there were even some hovering about when they were shooting over there. So we contacted the ones that we still knew were on Maui and we went over and interviewed them and it was really interesting what some of them had to say about hanging out with Hendrix and everything. Then we went down to Southern California, because some of them lived down there, and we interviewed a few of those, so we’ve got some really interesting interviews with an insight into some of the things that were going on with that movie with Hendrix that didn’t come out. In the original 'Rainbow Bridge', it follows Pat Hartley the actress from the Sunset Strip over to O’ahu and then to Maui where she meets all these characters, and ultimately Jimi. And the message, because of all of her travels and the way it was put together, kind of got lost a little bit in the different scenes and things. I talked to one of the guys from Warner Brothers who was in on the editing and he said that when they brought the film over it was in all of these bags and there was sand in it and they were almost afraid to put it on their machine, and had to clean it all and they kept going through this stuff and it was just a lot of hippies talking about cosmic stuff and getting high on drugs, and everybody kept saying 'Where’s Jimi, where’s Jimi? Where’s the concert' You know they were afraid they weren’t going to have enough to make the movie really good, but finally they got to the 'Concert' footage. So what we did, we kind of condensed these interviews down and we segue into some really great surfing on big waves over there, because a lot of the people that were interviewed were surfers and we have old footage of them surfing, and then we cut to surfing footage from now. I have about ten of my newer instrumental surf songs in there with the surfing, and then it goes to a couple of band performances – there were two Maui bands featured on the soundtrack: Omar and The Wavespies and The Space Patrol – the lead singer, Les Potts, was in the original 'Rainbow Bridge' movie.”

Rainbow Bridge Revisited CD Tracks: 1. All Along The Watchtower, 2. Last Wave at Hanalei, 3. Wild Gyrations, 4. Surfin 101, 5. Waterfall, 6. Hookipa, 7. Mother Sea, 8. The Wind Cried Maui, 9. Monster Swell, 10. Surf Rage, 11. The Wall, 12. Calling From A Star.

Merrell Fankhauser is considered one of the main innovators of surf music and psychedelic folk rock, and is widely known as the leader of the instrumental surf group The Impacts who had the international hit “Wipeout”. His travels from Hollywood to his 15 year jungle experience on the island of Maui have been documented in numerous music books and magazines in the US and Europe. Merrell has gained legendary international status throughout the field of rock music; his credits include over 300 songs published and released. Merrell Fankhauser has presented a number of television programs over the years including 'California Music', 'Route 66 TV Live', and in 2001 he began hosting a music show called 'Tiki Lounge' that airs on the California Central Coast, Southern California, Hawaii and parts of the East Coast.

To purchase Merrell Fankhauser 'Rainbow Bridge Revisited' CD/DVD set:

http://www.gonzomultimedia.co.uk/product_details/15544/MERRELL_FANKHAUSER-Rainbow_Bridge_Revisited.html

For more information: http://www.merrellfankhauser.com/

Saturday, July 6, 2013

Liverpool International Festival of Psychedelia

LIVERPOOL INTERNATIONAL
FESTIVAL OF PSYCHEDELIA
27-28 SEPTEMBER 2013

LIVERPOOL PSYCH FEST ANNOUNCE FULL MUSIC PROGRAMME.

HEADLINERS MOON DUO & DEAD MEADOW ADDED TO BILL
PLUS A WAVE OF NEW ADDITIONS: INCLUDING PEAKING LIGHTS SOUND SYSTEM, WHITE MANNA & THE BESNARD LAKES.

THESE JOIN EXISTING LINE-UP INCLUDING CLINIC, FUZZ, THE HOLYDRUG COUPLE & PSYCHIC ILLS.

Moon Duo

Dead Meadow

www.liverpoolpsychfest.com

27th and 28th September 2013 - Camp & Furnace, Liverpool

http://www.liverpoolpsychfest.com/home-blog.php/congregation/

LIVERPOOL INTERNATIONAL FESTIVAL OF PSYCHEDELIA are stoked to unveil the second wave of artists set to appear at this year’s soirée, with blistering San Fran space rockers MOON DUO and the iconic DC psych group DEAD MEADOW added as headliners. Canadian celestialists THE BESNARD LAKES are joined by California’s WHITE MANNA, and fellow West Coast genre-defying adventurers PEAKING LIGHTS bring an exclusive Sound System to 2013’s Liverpool Psych Fest.

North-Eastern motorik experimentalists WARM DIGITS are set to provide a festival standout, as are THE OSCILLATION (who No Other are also working with on their forthcoming album, due October) and their MOJO-endorsed “vast shiny beast of hypnotic, gig-shaking rhythms and riffs”.

The current darlings of a buoyant UK psych scene, HOOKWORMS, return for a second year, as do Liverpool’s own MUGSTAR, joined by Seattle’s scintillating NIGHT BEATS. Sonic Cathedral maintain a strong Psych Fest presence in the form of with Parisians YETI LANE, and LORELLE MEETS THE OBSOLETE, who will be jetting in from Guadalajara, Mexico.

Organisers are thrilled to announce an exclusive hook-up with the gloriously antagonistic MORDANT MUSIC who bring an audiovisual MORDANT MUSIC miasMa to the festival. This will feature some of the finest artists from the collective’s roster, including BARON MORDANT, EKOPLEKZ, VINDICATRIX and ZEKE CLOUGH.

SINGAPORE SLING (Iceland) and THE WOKEN TREES (Denmark) further strengthen the festival’s European contingent, along with DEAD HORSE ONE (France) and OS NOCTAMBULOS (France).

The UK’s current rich vein of vibrant, essential psychedelia is further represented by NOVELLA, THE LUCID DREAM, THE KVB, HELICON and EAT LIGHTS; BECOME LIGHTS.

Brighton’s FAUX DISCX, one of the most engaging and exciting new UK independents, present an exclusive label showcase, featuring SAUNA YOUTH, COLD PUMAS and THE SOFT WALLS, as well as bringing along their eclectic record bag.

Anglo-Mauritian pop-experimentalist MO KOLOURS, KULT COUNTRY (UK), NEGATIVE PEGASUS (UK), THREE DIMENSIONAL TANX (UK), DELTA MAINLINE (UK), ALIEN BALLROOM (UK), MIND MOUNTAIN (UK), PSYENCE (UK) and BONNACONS OF DOOM (UK) complete the second instalment of the 2013 festival line-up.

The festival’s DJ selection has further additions to come later in the summer, but already includes RICHARD NORRIS, TROUBLE IN MIND RECORDS, SONIC CATHEDRAL, SHINDIG! MAGAZINE, PETE FOWLER, THE BLACK MARIAH, BERNIE CONNOR’S SOUND OF MUSIC, FAUX DISCX vs GRINGO RECORDS, THE GREAT POP SUPPLEMENT and JOE McKECHNIE.

This is all in addition to a bill already consisting of -

CLINIC (UK), FUZZ (USA), PSYCHIC ILLS (USA), THE HOLYDRUG COUPLE (Chile), THE LIMIÑANAS (France), JACCO GARDNER (Netherlands), CARLTON MELTON (USA), THE WANDS (Denmark), PLANKTON WAT (USA), MASTON (USA), THE PAPERHEAD (USA), KLAUS JOHANN GROBE (Switzerland), THE RESONARS (USA) and ALFA 9 (UK).

The festival features a stage curated by the stunningly consistent TROUBLE IN MIND RECORDS, who will be making the trip across the Atlantic from Chicago bringing a cohort of their artists along for the ride.

The full programme of visual arts, projections, film and additional kaleidoscopic delights will be announced later this summer, ahead of the festival in September. The LIVERPOOL PSYCH FEST PSOUNDSYSTEM will also be calling at JODRELL BANK OBSERVATORY on 6th July (with The Australian Pink Floyd, The Time And Space Machine, The Lucid Dream and Hawkwind) as we spin cosmic delights in the shadow of the imposing Lovell Telescope. Audio for extraterrestrials.

Limited tickets priced at £40.00 (pbf) for the two day event are available now at

www.ticketweb.co.uk

www.bidolito.co.uk/

And also Probe Records (Liverpool), Jumbo Records (Leeds) and Piccadilly Records (Manchester).

EDITOR NOTES

The Liverpool International Festival Of Psychedelia is not an exercise in nostalgia or UFO Club regurgitation, but a celebration of a culture very much at the vanguard of artistic exploration. The 2012 festival was lauded by UK and international media including The Quietus, Shindig!, NME, Stool Pigeon, Mudkiss, Foundwaves, Prog Mag, Artrocker, The Big Issue In The North and BBC 6Music.

Liverpool International Festival Of Psychedelia 2013 takes place over two days (27th and 28th September) and three performance spaces set again within Camp & Furnace - a former industrial furnace on the city’s fringe. The event will also feature an expansive programme of visual arts, film and performance art.

Limited tickets priced at £40.00 (pbf) for the two day event are available at bidolito.co.uk and ticketweb.co.uk. Physical tickets are also available from Probe Records (Liverpool), Jumbo Records (Leeds) and Piccadilly Records (Manchester).

Hotel Indigo Liverpool are our official accommodation partner this year, and a selection of http://www.bidolito.co.uk/gig/liverpool-psych-fest-2013-accomodation-bundleearlybird ticket + accommodation bundles are also on sale now

"For their initial foray into bringing rock & roll's more wigged practitioners under one roof, the Liverpool International Festival Of Psychedelia have scored themselves a 150 microgram hit. Curated with care and performed by bands with a rare joy, this is an event devoid of cynicism and one that embraces the Be Here Now mantra with a real sense of love. Here's to the next one." The Quietus

Copyright © 2013 No Other, All rights reserved.

watch a taster video of Liverpool International Festival Of Psychedelia 2012

TROUBLE IN MIND RECORDS

TROUBLE IN MIND DISCUSS WHAT PSYCHEDELIA MEANS TO THEM AS A LABEL IN 2013

Jacco Gardner

Frank Maston

Fuzz

Nightbeats

The Liminañas

The Paperhead

The Resonars

Bill and Lisa

from

TROUBLE IN MIND

interviewed by

NO OTHER

What is psychedelia to you?

Bill: I'm not really sure I can directly answer that - it's not a definable thing for us (or at least ME). I know what I like! I guess ultimately it's all a label - a genre tag to make something easily classifiable & digestible for listeners. People don't know what to do when they can't easily quantify a piece of music & it's that thing that is just a bit off that makes it interesting & "psychedelic" to me. To me a record like Eskimo by The Residents is just as psychedelic as Con 3 by Conrad Schnitzler or even Future Days or Saucerful Of Secrets. They're all records that make you go "What the fuck?" ESPECIALLY when taken into the context of the time period during which they were recorded. Mind blowing.

Lisa: I come from a slightly different angle than Bill to "psychedelic" music. We've talked about how if we'd have met in high school he would have scoffed at me because I was a deadhead and he was a punk. I don't know if Freedom Rock ever made it over to Europe but it was this three cassette collection of all your favorite hits from the ’60s. My parents let me order it and I was like 10 years old at the time. If there is anything to blame for my slightly warped view of what psychedelia is and greater appreciation for sunshine and pop psych like The Lemon Pipers rather than Pink Floyd it's probably because of Freedom Rock. I got really into The Byrds and Jefferson airplane because of it and that lead to The Grateful Dead and all the mythology around Haight-Ashbury which was very appealing to me as a teenager. So that's the nexus for me, I guess.

What do you perceive to be the difference between the Austin Psych Fest, the Liverpool one and either The Golden Gate Happenings or UFO Club? What's the same, what's changed?

B: My understanding is that The Golden Gate Happenings were more of a celebration of the human being sort of event wouldn't you say? More about expanding one's mind & consciousness thru meditation, drugs (and also aided by music) and The UFO Club was more about the "scene", with hip club owners and burgeoning record producers showcasing the UK undergrounds newest talent for fun and profit? ASF & Liverpool seem to me to be all about the music and less of a "human be-in" or an inclusive scene...

L: Well, the ’60s as a cultural movement is long gone and we aren't really into the schtick of revivalism so for us it's just cool to have people that will put there money where there mouth is and organize fests that bring together the best bands that share an appreciation for a particular type of music and make it about just that, the music.

The production of Paperhead and Jacco Gardner borrow all the tricks from 1967, why are they relevant today? What makes them current?

B: I think it's the way both assimilate the past (be that via their choices in chord structures or melodies, or their lyrical choices) and make them their own. I've seen reviewers label both as "retro" sounding, but I'm not so sure if that's accurate. Most musicians borrow from the past and update it for the present, be it late ’60s psych, or goth rock, or twee-pop. It's how much you decide to make it an extension, rather than an imitation - it's a delicate line to skirt. Both Jacco & The Paperhead (I feel) are extensions of things past, into the present day.

The European mags inc Shindig!, NME, MOJO, Uncut, Magic, Rumore etc have all leapt on Jacco Gardner without any of the negative kind of criticism such an artist would have received 10-20 years ago in the UK. What's changed?

B: Well truly I can't speak for the attitudes of UK and Euro journalists, but from the perspective here in the US I think it's just a reflection of how more popular indie artists from a few years back like The Flaming Lips, Ariel Pink or Animal Collective have name-dropped psychedelia as an influence for so long that the mainstream has finally started to pay attention. The popularity of artists like Thee Oh Sees & Ty Segall - who have both assimilated elements of psychedelia in their own ways - is a testament to that. It's just nice that bands who have been carrying the torch for so long can finally enjoy some much deserved attention.

What allows psychedelia to stay alive when other short lived fads have pretty much dried up?

B: well I'm not so sure ANY "fad" has dried up... garage, punk, no-wave, noise-rock have all had their time in the sun and still continue to have bands carry their respective flags. Psychedelia is just the newest thing listeners have opened up to. Not only in the "underground" but also from a mainstream perspective.

L: I'd agree that I don't know that psych is a fad anymore than punk is a fad. It really just seems more like trends in music that come and go. The people that love this kind of music and have forever will keep loving it. The others will move on to the next trend. What frightens me most is that we're getting to an age now where the cycles are re-cycling and I always knew it happened but was never old enough to be there when it did and now I am...(sob.)

But... Was psych really a short lived fad or did it morph into other forms of music and remain relevant throughout the last 40 years?

B: I think what was referred to originally as "psychedelia" was the next logical extension from the mid-60 r'n'r scene - once musicians and listeners started to "free their minds" (so to speak). Longer jams, "outside the box" melodies and chord structures were assimilated as musicians took their influences from outside of Western modes. But yeah, ultimately I feel like it's just been morphed into other types of music.

Which bands from today do you perceive to be the most psychedelic and why?

B: I'm not sure - not really looking for the "most psychedelic" band... Kraus from New Zealand's stuff is pretty out there, but I'm not sure if most folks would consider that stuff "psych". I do - it's pretty mind-melting stuff.

L: That's not really a question I feel comfortable with because I really hate the idea of people going "Let's crank the psychedelic!" I think both Bill and I shudder when a band seems to pander to a genre, like it doesn't come off as authentic or something. Also neither of us do drugs so maybe we aren't quite the best people to ask.

Will the modern bands last and will they want to be associated with psych in a few years time?

B: I'm sure popular tastes will change and shift, and the things that people consider psych will just become the norm - much the way "grunge" and "garage rock" have been accepted as popular music (or at least popular indie)

What lies around the corner for TIM?

B: MORE RECORDS MORE RECORDS MORE RECORDS! We've just released the excellent LP from Chicago band Verma called "Coltan" & killer new singles from Sheffield, UK's "Proto Idiot" & Italy's "Mirrorism" & have much more coming up! Our first reissue is slated for the end of July - a vinyl-only pressing of The Dentists' first album "Some People Are On The Pitch They Think It's All Over It Is Now" which has never really gotten it's due on this side of the pond. We're also releasing the US debut by Peruvian spiritual psych-band Montibus Communitas called "Hacia aquellos bosques de inmensidad", plus an unreleased MMOSS lp recorded at the same time as "Only Children" that's much darker & more experimental. The debut from Butterscotch Cathedral, the third Limiñanas album, an LP-only Resonars Greatest Hits, Jeffrey Novak's third solo album "Lemon Kid" (which owes a HUGE debt to the recently departed Kevin Ayers) should be out in late-autumn, and new Paperhead LP next spring. Alex Cuervo from Hex Dispensers is working on a full-length for a new thing called 'Espectrostatic' that'll be out around Halloween. OH - and Doug Tuttle from MMOSS is working on a solo project for us that is going to be AMAZING. OH! & we also just confirmed releases with uber-talented & mind-bending Los Angeles-based Morgan Delt! Most likely a single in the fall, quickly followed by his debut full-length in Spring 2014! That's all I'm at liberty to mention at this time ;)

*******************************************
OUT NOW ON TROUBLE IN MIND RECORDS!!!

TIM047: Jacco Gardner "Cabinet Of Curiosities" LP/CD

TIM048: Maston "Shadows" LP/CD

*******************************************

OUT NOW!!!

TIM051: Mirrorism "Night Flight" 7-inch

TIM052: Verma "Coltan" LP

TIM053: Proto Idiot "You're Wrong" 7-inch

OUT JULY 30th!!!

TIM050: The Dentists "Some People Are On The Pitch..." LP reissue

TIM054: People's Temple "Brand New Thing" 7-inch

TIM055: Montibus Communitas "Hacia aquellos bosques de inmensidad" LP